Richard Morris Hunt Totally Explained

Everything about Richard Morris Hunt totally explained

Richard Morris Hunt (October 31 1827–July 31, 1895) was a preeminent figure in the history of American architecture.

Biography

Born in Brattleboro, Vermont, Hunt was the son of Jane Maria Leavitt, born to an influential family of Suffield, Connecticut, and Hon. Jonathan Hunt, a U.S. congressman whose own father was the lieutenant governor of Vermont, and scion of a wealthy and prominent Vermont family. Richard Morris Hunt was the brother of the Boston painter William Morris Hunt, and the photographer and lawyer Leavitt Hunt. (Hunt was named for Lewis Richard Morris, a family relation, who was a U.S. Congressman from Vermont and the nephew of Gouverneur Morris, an author of large parts of the U.S. Constitution.)
   Following the early death of his father, Hunt's mother took the family to Europe, where they remained for more than a decade, first in Switzerland and later in Paris. In 1846 Hunt was the first American architect to attend the École des Beaux-Arts in Paris, and was regarded well enough to supervise work on the Louvre under Napoleon III. After his return in 1855, he founded the first American architectural school at his Tenth Street Studio Building (beginning with only four students), co-founded the American Institute of Architects and from 1888 to 1891 served as the Institute's third president, brought the first apartment building to Manhattan in a burst of scandal, and set a new ostentatious style of grand houses for the social elite and the eccentric, competitive new millionaires of the Gilded Age.
   Hunt's greatest influence is his insistence that architects be treated, and paid, as legitimate and respected professionals equivalent to doctors and lawyers. He sued one of his early clients for non-payment of his five percent fee, which established an important legal precedent. One of his 1859 students at the Tenth Street Studio, William Robert Ware, was deeply influenced by Hunt and went on to found the first two university programs in architecture: MIT in 1866, and Columbia in 1881.
   Despite his extensive social connections in Newport among the richest Americans of his generation, Hunt was widely admired for his energy and good humor. Legend has it that while on a final walk-through of one of his Vanderbilt mansions, Hunt discovered a mysterious tent-like object in one of the ballrooms. Investigating, he found it was canvas covering a life-sized statue of himself, dressed in stonecutters' clothes, all carved in secret as a tribute by the gang of stonecutters working on the house. Vanderbilt permitted the statue to be placed on the roof of the mansion.
   Hunt designed New York's Tribune Building, one of the earliest with an elevator, in 1873. Other buildings of note that Hunt designed include the Theological Library and Marquand Chapel in Princeton, the Scroll and Key building at Yale, and the Fogg Museum of Art at Harvard. Until the Lenox Library, none of Hunt's American works were in the Beaux-Arts style with which he's associated. Late in his life he became involved in the Chicago's World's Columbian Exposition in 1893, at which his Administration Building received the gold medal from the Royal Institute of British Architects.
   In New York City, Hunt's handiwork can be seen on the austere pedestal of the Statue of Liberty and on the elegant 5th Avenue facade of the Metropolitan Museum of Art. The only one of Hunt's New York City buildings that hasn't been destroyed now houses Hostelling International - New York (formerly American Youth Hostels) on the east blockfront of Amsterdam Avenue between 103d and 104th Streets in Manhattan. Erected in 1883 and entered into the National Register of Historic Places in 1975, this neo-classic building

features dormer windows and a mansard roof similar to those Hunt used on his Biltmore Estate in Asheville, North Carolina, pictured below on this page. This popular youth hostel was originally built for the Association for the Relief of Respectable Aged Indigent Females, a charity created in 1813 with the help of financier Peter G. Stuyvesant (a descendant of the Dutch colonial governor Peter Stuyvesant) and John J. Astor. In later years it was used as a nursing home, but by the 1970s was abandoned and became a burned-out "shooting gallery" used by drug dealers and derelicts. Its current use as a flagship youth hostel came into being in 1988. According to an article in The New York Times

The project is a rare collaborative effort involving a West Side community group, a midtown developer, an international foundation, two Wall Street securities firms, seven government agencies and 300 profit-seeking investors in 30 states.....In 1980, the city's Office of Economic Development awarded a grant to Valley Restoration, which in turn hired the consulting firm of Buckhurst, Fish, Hutton & Katz to study the feasibility of converting the building into a hostel. The consultants concluded that a youth hostel containing 477 beds was feasible, along with a restaurant of 126 seats and a small theater. Efforts were then made to bring together community leaders, a youth hostel organization and a developer to put forward a plan.

The financing of this successful preservation and re-use project was unusual. According to the Times article:

The developer was Bertram Lewis, chairman of Sybedon, a group of Manhattan investment bankers specializing in high-stakes real estate deals....The terms of a 1984 agreement between the three groups had Valley Restoration buying the property from the city, which had acquired it in a 1978 tax foreclosure action. The $687,500 price was a payment to Valley from a limited partnership consisting of Sybedon and a group of investors. Last December a public offering of shares through Thomson McKinnon Securities raised $5.2 million from 300 investors in 30 states. The Metropolitan New York Council of American Youth Hostels agreed to manage the building and channel profits from the fees for the rooms back to the limited partnership to repay the investors.

Among the employees who worked in Hunt's firm was Franco-American architect and fellow Ecole des Beaux Arts graduate Emmanuel Louis Masqueray when went on to be Chief of Design at the Louisiana Purchase Exposition in St. Louis. Hunt often employed sculptor Karl Bitter to enrich his designs. Both Hunt and his frequent collaborator, landscape architect Frederick Law Olmsted, were associated with the City Beautiful Movement, and Hunt was the first president of the Municipal Art Society that grew out of the movement. Nevertheless, Olmstead, an advocate of "naturalistic" architecture and landscape design famously clashed with Hunt in 1863 over Hunt's proposal for "Scholar's Gate," a formal entrance to Central Park at 60th Street and Fifth Avenue. According to Central Park historian Sarah Cedar Miller, Central Park Commissioner and influential New Yorker Andrew Haswell Green, was a major supporter of Hunt. When the park commissioners adopted Hunt's design, Olmstead and his partner Calvert Vaux protested and resigned their positions with the Central Park project. Hunt's plan for Scholar's Gate was never built and Olmstead and Vaux subsequently rejoined the project. Nevertheless, there were to be other reminders of Hunt in Central Park.
Hunt died in 1895 and was buried at the Common Burying Ground and Island Cemetery in Newport, Rhode Island. In 1898, 3 years after Hunt's death in Newport, the Municipal Art Society commissioned the Richard Morris Hunt Memorial, designed by sculptor Daniel Chester French and architect Bruce Price. The memorial is installed in the wall of Central Park across Fifth Avenue from today’s Frick Museum at 70th Street.

Residential Works

H. B. Hollins' Country Estate, "Meadow Farm," East Islip, NY
J.N.A. Griswold House, Newport, RI 1863-1864
Henry Marquand House, NYC, 1881-84
James Pinchot House, "Grey Towers," Milford, Pennsylvania 1884-86
William Borden House, Chicago, Illinois, 1884-89
Ogden Mills House, Fifth Avenue, NYC, 1885-87
Archibald Rogers House, Hyde Park New York, 1886-89
William Kissam Vanderbilt House, "Marble House," Newport, Rhode Island, 1888-92
William Kissam Vanderbilt, Residence, New York, 1879-82.
J.R. Busk House, "Indian Springs," Presently Known as: "Wrentham House," Newport, Rhode Island, 1889-92
Ogden Goelet House, "Ochre Court", Newport, Rhode Island, 1888-93
Oliver Belmont House, "Belcourt Castle", Newport, Rhode Island, 1891
Elbridge Gerry House, NYC, 1891-94 Newport, Rhode Island,
John Jacob Astor IV House, Fifth Avenue, NYC, 1891-95
Dorsheimer-Busk House, Newport, Rhode Island, 1890-93
George Washington Vanderbilt House, "Biltmore Estate", the largest private mansion in America (pictured below) Asheville, North Carolina, 1890-
Cornelius Vanderbilt II house, "The Breakers", Newport, Rhode Island, 1892-95

Sources

Great Buildings Online

Durante, Dianne, Outdoor Monuments of Manhattan: A Historical Guide (New York University Press, 2007): brief summary of Hunt's career and description of Daniel Chester French's Hunt memorial in Central Park, New York.

References:

Baker, Paul, Richard Morris Hunt, MIT Press, 1980

Stein, Susan Editor, The Architecture of Richard Morris Hunt , University of Chicago Press, 1986

Kvaran. Einar Einarsson, Architectural Sculpture of AmericaFurther Information

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